{"id":41045,"date":"2020-01-20T11:41:20","date_gmt":"2020-01-20T11:41:20","guid":{"rendered":"https:\/\/escac.com\/?p=41045"},"modified":"2022-10-28T06:56:56","modified_gmt":"2022-10-28T06:56:56","slug":"7-gaudi-awards-for-escac-talent","status":"publish","type":"post","link":"https:\/\/escac.com\/en\/noticias\/7-gaudi-awards-for-escac-talent\/","title":{"rendered":"7 Gaud\u00ed Awards for ESCAC talent"},"content":{"rendered":"

Six graduates won an award yesterday at the XII edition of the Gaud\u00ed Awards<\/strong> given by the Acad\u00e8mia del Cinema Catal\u00e0<\/strong>: Best Screenplay (Bel\u00e9n Funes and Mar\u00e7al Cebri\u00e1n), Best Direction (Bel\u00e9n Funes), Best Non-Catalan Language Film (Bel\u00e9n Funes), Best Editing (Ana Pfaff), Best Art Direction (Sylvia Steinbrecht), Best Production Direction (Oriol Maym\u00f3) and the Audience Award (Aritz Cirbian) went to the ESCAC Talent.<\/strong><\/p>\n

La hija de un ladron<\/strong><\/em>, the opera prima by graduate Bel\u00e9n Funes<\/strong>, was one of the night’s winners with three awards: screenplay, direction and film<\/strong>. Funes made her awards debut by winning all three for which she was nominated. The film is co-written with Mar\u00e7al Cebri\u00e1n<\/strong>, who also won the award, and features Neus Oll\u00e9<\/strong> as DoP and Enrique G. Bermejo<\/strong> and Sergio Rueda<\/strong> in sound, also graduates.
\nThis is the first time in the twelve-year history of the Gaud\u00ed Awards that graduates have won the award for Best Screenplay<\/strong>. As for direction, Bel\u00e9n is the third graduate to win it, after Mar Coll<\/strong> for Tres dies amb la familia<\/strong><\/em> (2010) and J.A. Bayona<\/strong> for Lo imposible<\/strong><\/em> (2013) and Un monstruo viene a verme<\/em><\/strong> (2017).<\/p>\n

Els dies que vindran<\/strong><\/em>, the other winner of the night with also three awards (film, actress and editing) earned the graduate Ana Pfaff<\/strong> her second Gaud\u00ed for Best Editing<\/strong> after winning it a couple of years ago for Estiu 1993<\/strong><\/em> (2018). Ana Pfaff took the stage again to collect the award for Best Short Film<\/strong> to Suc de S\u00edndria<\/strong><\/em>, of which she is also the editor.<\/p>\n

Sylvia Steinbrecht<\/strong> was the second graduate of the evening to take the stage, picking up the award for Best Artistic Direction<\/strong> for Elisa y Marcela<\/strong><\/em>. This is the second time that a graduate has won this award, after Laia Colet<\/strong> won it for Eva<\/strong><\/em> in 2012.<\/p>\n

Graduate Oriol Maym\u00f3<\/strong> won the award for Best Production Direction<\/strong> for Qui\u00e9n a hierro mata<\/strong><\/em>, becoming the first graduate to win in this category.<\/p>\n

Finally, the film 7 raons per fugir<\/strong><\/em>, produced by Aritz Cirbian<\/strong>, Xavi Toll<\/strong> as delegated producer, Ana\u00efs Urraca<\/strong> in editing and Laia Casanovas<\/strong> in sound, won the Audience Award<\/strong>. Since the creation of this category, the award has always gone to a film produced by a graduate; La Llamada<\/strong><\/em> produced among others by Toni Carrizosa<\/strong> and Viaje al cuarto de una madre<\/em><\/strong>, by Mar Medir<\/strong>.<\/p>\n

La inocencia<\/strong><\/em>, the opera prima by graduate Luc\u00eda Alemany<\/strong>, co-written with Laia Soler<\/strong> and with Joan Bordera<\/strong> as DoP, was nominated in 7 categories and won Best Supporting Actress for Laia Marull.<\/p>\n

With these 7 Gaud\u00ed Awards obtained in this edition, ESCAC graduates have obtained a total of 46 Gaud\u00ed Awards<\/strong> to date.<\/p>\n

Photograph by ACC- Mart\u00ed Pujol.<\/p>\n","protected":false},"excerpt":{"rendered":"

Six graduates won an award yesterday at the XII edition of the Gaud\u00ed Awards given by the Acad\u00e8mia del Cinema Catal\u00e0: Best Screenplay (Bel\u00e9n Funes and Mar\u00e7al Cebri\u00e1n), Best Direction (Bel\u00e9n Funes), Best Non-Catalan Language Film (Bel\u00e9n Funes), Best Editing (Ana Pfaff), Best Art Direction (Sylvia Steinbrecht), Best Production Direction (Oriol Maym\u00f3) and the Audience […]<\/p>\n","protected":false},"author":1,"featured_media":38738,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[121],"tags":[143,146],"class_list":["post-41045","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-escac-talent-en","tag-awards","tag-gaudi-awards"],"acf":[],"_links":{"self":[{"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/posts\/41045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/comments?post=41045"}],"version-history":[{"count":0,"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/posts\/41045\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/media\/38738"}],"wp:attachment":[{"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/media?parent=41045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/categories?post=41045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/tags?post=41045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}