{"id":42735,"date":"2022-12-15T11:15:02","date_gmt":"2022-12-15T11:15:02","guid":{"rendered":"https:\/\/escac.com\/?p=42735"},"modified":"2023-06-01T16:17:46","modified_gmt":"2023-06-01T16:17:46","slug":"the-3rd-session-of-the-opera-prima-laboratory-comes-to-an-end","status":"publish","type":"post","link":"https:\/\/escac.com\/en\/noticias\/the-3rd-session-of-the-opera-prima-laboratory-comes-to-an-end\/","title":{"rendered":"The 3rd Session of the \u00d3pera Prima Laboratory comes to an end"},"content":{"rendered":"<p>As the third on-site activity of the Laboratory, its members participated in the <strong>Opera Prima Conference<\/strong> held on the ESCAC campus on 12, 13 and 14 December, where they presented their projects in one-to-one sessions to prominent members of the national and international industry, such as <strong>Carles Montiel<\/strong> (Mediapro), <strong>P\u00edo Vernis<\/strong> (Brutalmedia), <strong>Eva Diederix<\/strong> (Wild Bunch), <strong>Nuria Valls<\/strong> (Nostromo), <strong>Xavi Toll and Paloma Molina<\/strong> (Zeta Studio), <strong>Mar\u00eda Contreras<\/strong> (Amazon), <strong>Mar\u00eda Rub\u00edn<\/strong> (Movistar), <strong>Nadine Rothschild<\/strong> (Coproduction Office), <strong>Francesca Perin and \u00d3scar Alonso<\/strong> (Latido Films) and <strong>Eddie Bertozzi<\/strong> (Locarno Film Festival).<\/p>\n<p>They also received tutorials in various technical specialities (photography direction, art direction, production) and were able to record the audiovisual presentation of their projects in video-pitch format.<\/p>\n<p>All these activities complemented the actions carried out in the first two face-to-face meetings of this year&#8217;s edition: the first training sessions focused on marketing and audiovisual exploitation, within the framework of the ESCAC Proyecta Awards, and the second focused on screenwriting, directing and financing, within the framework of the Sitges Film Festival. Both sessions ended with a presentation of the projects to prominent members of the industry.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-42710 size-full\" src=\"https:\/\/escac.com\/wp-content\/uploads\/2022\/12\/Laboratorio-Opera-Prima_Promocio_2022_DSC07843.jpg\" alt=\"\" width=\"1500\" height=\"1001\" srcset=\"https:\/\/escac.com\/wp-content\/uploads\/2022\/12\/Laboratorio-Opera-Prima_Promocio_2022_DSC07843.jpg 1500w, https:\/\/escac.com\/wp-content\/uploads\/2022\/12\/Laboratorio-Opera-Prima_Promocio_2022_DSC07843-300x200.jpg 300w, https:\/\/escac.com\/wp-content\/uploads\/2022\/12\/Laboratorio-Opera-Prima_Promocio_2022_DSC07843-1024x683.jpg 1024w, https:\/\/escac.com\/wp-content\/uploads\/2022\/12\/Laboratorio-Opera-Prima_Promocio_2022_DSC07843-768x513.jpg 768w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><\/p>\n<p>Throughout the programme, the projects have been monitored by different tutors: producers<strong> Mercedes Gamero, Pablo Nogueroles, Sandra Tapia, Xavi Toll and Orlando Arriagada<\/strong>, screenwriters <strong>Michel Gaztambide, Marta Buchaca, Tom\u00e0s Aragay and Laia Soler<\/strong> and directors <strong>Bel\u00e9n Funes and Mar Coll.<\/strong><\/p>\n<p>The 6 projects participating in this edition of the \u00d3pera Prima laboratory are:<\/p>\n<ul>\n<li>\u00c9XTASIS (Series)<br \/>\nAuthors: Luc\u00eda Rodr\u00edguez Malvido and Marina Wagner Moll.<br \/>\nProducer: Luc\u00eda Rodr\u00edguez Malvido.<\/li>\n<li>SEMILLAS DE KIVU (Documentary)<br \/>\nAuthor: N\u00e9stor L\u00f3pez Ferreira.<\/li>\n<li>ECO (Feature Fiction)<br \/>\nAuthors: Ignacio Guti\u00e9rrez-Solana Aizpurua and Jordi Farga Ruiz.<\/li>\n<li>LA IMATGE PERMANENT (Feature Fiction)<br \/>\nAuthor: Laura Ferr\u00e9s Moreno.<br \/>\nProducers: Adri\u00e0 Mon\u00e9s Murlans and Ariadna Rodr\u00edguez.<\/li>\n<li>SACAMANTECAS (Feature Fiction)<br \/>\nAuthors: David P\u00e9rez Sa\u00f1udo, Sergio Granda, Joanes Urkixo and Asier Guerricaechevarr\u00eda.<br \/>\nProducers: Kevin Iglesias and Elena Maeso.<\/li>\n<li>SALEN LAS LOBAS (Feature Fiction)<br \/>\nAuthor: Claudia Estrada Tarasc\u00f3.<br \/>\nProducer: Alba Sotorra Clua and Mar Maduell.<\/li>\n<\/ul>\n<p>Throughout the Laboratory, these projects have consolidated their content and their industrial proposal for the market. This has allowed them to expand and consolidate their funding and achieve the necessary collaboration agreements for their viability and successful implementation.<\/p>\n<p>The \u00d3pera Prima Laboratory, which is financed by the ICAA and the Next Generation funds, is a programme open to new authors and producers of our cinematography so that they can develop their first feature films, series or products in new audiovisual formats, whether documentary or fiction, with the aim of being exploited industrially.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As the third on-site activity of the Laboratory, its members participated in the Opera Prima Conference held on the ESCAC campus on 12, 13 and 14 December, where they presented their projects in one-to-one sessions to prominent members of the national and international industry, such as Carles Montiel (Mediapro), P\u00edo Vernis (Brutalmedia), Eva Diederix (Wild [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":42723,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[120],"tags":[138,142],"class_list":["post-42735","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-escac-studio-en","tag-labs-en","tag-opera-prima-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/posts\/42735","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/comments?post=42735"}],"version-history":[{"count":0,"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/posts\/42735\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/media\/42723"}],"wp:attachment":[{"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/media?parent=42735"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/categories?post=42735"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/escac.com\/en\/wp-json\/wp\/v2\/tags?post=42735"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}